Drew Barrymore said she would pause production on her daytime talk show after facing tremendous backlash from writers, actors and fans over her decision to bring the show back amid the Hollywood strike.
“I have listened to everyone, and I am making the decision to pause the show’s premiere until the strike is over,” she said in a statement posted on Instagram. “I have no words to express my deepest apologies to anyone I have hurt and, of course, to our incredible team who works on the show and has made it what it is today.”
Barrymore announced on Sept. 10 that “The Drew Barrymore Show” would kick up production again amid the writers’ and actors’ strikes, which led to protests and picketing from the Writers Guild of America outside her New York studio last week.
Writers have been on strike for more than four months, campaigning for better pay and protections in the streaming era. The Screen Actors Guild started its own strike in July over similar issues, including better residual pay from streaming services. The “Drew Barrymore Show” employs three WGA writers, all of whom picketed outside the show’s taping last week.
“I truly hope for a resolution for the entire industry very soon,” Barrymore wrote on Instagram on Sunday. Representatives for Barrymore did not immediately respond to a request for comment.
CBS originally announced in early September that Barrymore’s show would return for a new season with a premiere date of Sept. 18. A CBS Media spokesperson said Sunday that the company stands with Barrymore.
“We support Drew’s decision to pause the show’s return and understand how complex and difficult this process has been for her,” the spokesperson said.
As taping was underway on Monday and Tuesday, those who attended said they were greeted by WGA protesters and picketers, who chanted phrases like “CBS! You are a mess!” and “We expect more from Drew Barry-more!” Some audience members were handed WGA support pins. According to multiple reports, two Barrymore fans wearing WGA pins were asked to leave the taping for security reasons.
“The Guild has, and will continue to, picket struck shows that are in production during the strike. Any writing on ‘The Drew Barrymore Show’ is in violation of WGA rules,” a post on the WGA East’s Instagram account said last week.
Her decision to resume production also prompted the National Book Awards to rescind its invitation to Barrymore to host the next ceremony. Writers on social media criticized Barrymore for moving ahead with the taping. In May, Barrymore declined to host the MTV Movie and TV Awards to support the strike.
A number of daytime talk shows have remained in production despite the strike, including “The View.” Similarly, “Jeopardy!” announced in August that it would return with recycled questions for its 40th season.
Last week, “The Jennifer Hudson Show” and “The Talk” announced they would return during the strike shortly after Barrymore made her decision. It’s unclear if those shows will pause production, too.
Idk man too little too late for me. Forever taints her image and the projects she is involved with
I’ve heard she is a mover and shaker in Hollywood. If true, it would difficult to stay that way when your friends promise n not to work with you. Later, she can make amends.
My post meant in my eyes. I’m sure it won’t hurt her in the least
Furthermore, I don’t think anyone ( even Barrymore) can snap her fingers and get a show back on the air like that. It takes some amount of planning and organization.
So she probably knew this was in the works for a while and still did it anyway.
What about when Conan made shows during the last writers strike, what’s your image of him now?
He specifically did his shows without ANY writing whatsoever… he could have written his own show but he didn’t write anything down. He didn’t get scab writers… he literally went out on set, and bullshitted with his co host and spun a bottle cap and in essence showed how trash shows are without writers… he did his show to prove a point… and he accomplished that…
Not to mention every talk show host did the same thing, going on without writers and explicitly stating every show they need their writers back and support them.
Plus Conan continued to pay his writers out of his own accord throughout that strike. It’s the same reason Conan only agreed to move from New York to LA if he could bring his staff with him to TBS: he cares about the people he works with. It’s also why he paid them on his own accord again during the lockdown.
My opinion of Conan remains where it was: highest of the high. Team Coco #1.
I always loved watching Conan as a teenager.
Reading your post honestly got me a little choked up.
Which was nice, because teenage me had a huge crush on Drew. Now adult me is pretty disgusted by her after reading some of the comments. And it has nothing to do with her age.
I’m glad she relented. My respect for her has raised slightly again.
Yeah but it’s definitely not on the same level of respect I had, probably will neve will. It’s not like I know her personality so whatever, but to become a scab just like that was extra shitty with guacamole on top.
I guess Drew’s friends weren’t happy with her.
The strike isn’t all bad, clearly.
I have a hard time faulting her. She wasn’t required to stop her show, in the same way actors were continuing to work with the scripts that were finished. Even Ryan Reynolds continued to shoot Deadpool 3, despite not being allowed to improv.
Good for her though. As far as I’m concerned, shutting down in solidarity is just extra.
despite not being allowed to improv
Which is honestly part of what made the first two Deadpool movies great. I’d half expect Deadpool to look straight at the camera and go “I was going to make a joke here, but Ryan Reynolds isn’t allowed to improv because of the WGA strike.” But also, would that be considered improv?
That’s what a title card is used for. Just literally slap that text on a black box to cover the screen/scene, and mute the audio. Just don’t do that more than once in the film
People either do things out of solidarity or because the backlash damages their image/pocket book.
Drew isn’t doing this out of solidarity. If she was she wouldn’t be walking past her own writers on the picket line. But would be out there supporting them. That’s solidarity.
What Drew is doing is saving face.
OH NO!
I’m really curious how these strikes will end. It feels like they’ve been going on for a long time and at a bad time for the studios as well, judging by how many movies are bombing at the moment + the streaming subscriber numbers. I’m just not sure if the studios will be able to ever meet the demands the strike is asking for, it feels like they’re stuck in a downward spiral…
Also, from what I’ve heard here and there it sounds like they have some pretty crazy demands (something about a minimum writers room size of 8 or 10?) which are going to make it hard to ever come to an agreement, especially if those writers also need to be paid in full.
This is what the writers are asking for vs. studio revenue. You’re just wrong.
Fair enough, I guess time will tell then. I’m just wondering if the Hollywood accounting that gets mentioned below also gets applied to their revenue, meaning that it’s in fact much lower than what they’re saying. But I guess that’s corporate accounting in a nutshell.
Those numbers are not even close to accurate unless you think that the revenue of the Disney parks should pay for D+ writers, etc. Don’t get me wrong, the writers strike has real value to the writers, but showing cherry picked numbers that aren’t pertinent to the issue doesn’t help.
Take it up with the WGA. It’s their numbers. And I’m pretty sure Netflix doesn’t have any parks.
I’m sure they’re not biased at all /s
So you’re saying Netflix does have theme parks? Or is the WGA lying about their revenue?
I’m saying that the writers comparing what they deserve to a whole company’s revenue isn’t applicable. Comparing Disney plus revenue is applicable, but they didn’t do that. Likewise with others like Apple, Amazon (seriously???), Sony , etc (minus pure streaming companies like Netflix)
Why isn’t their total revenue appropriate when talking about what they can pay employees? Can they not pay writers with what they make from theme parks? Is that off-limits?
Yeah I guess paying the people who do the work fairly is gonna probably put Netflix-land out of business. I hadn’t thought of the plight of the poor defenceless multinational corporations until you pointed that out.
