![](/static/253f0d9b/assets/icons/icon-96x96.png)
![](https://lemmy.ml/pictrs/image/d3d059e3-fa3d-45af-ac93-ac894beba378.png)
As much as I want TiK ToK by Kesha to be a recognizable tune in half a millenia I know that’s not happening. Personal Jesus by Depeche Mode is one of the most covered songs of the past 50 years so that very well may become immortalized through diffusion alone. There’s a couple dozen jazz standards that could have that kind of staying power as well, especially considering their ubiquity in performance repitoires and books of sheet music.
I was working at this media store where I rode out the beginning of the pandemic and my transition, it was a weird time all around. Not the worst by any means but still retail.
There was this one dude who walked up to me when I was running cash, looked me in the eyes, then down to my tits, then down to my nametag, then back at my eyes and did the sign of the cross. He would later come in on a regular basis to use our restrooms and go to every section, display, and employee that he found objectionable to shake his head and then do the sign of the cross. I had the unfortunate habit of always being there when he came in. He found me objectionable. That guy didn’t piss me off as much as the one dude who started laughing at me as soon as he walked up to my register. That was honestly the first time in my life that I felt rage and indignation over how others treated me for my gender identity, before then I just assumed that I somehow deserved it.
I have a gazillion stories but the full realization that the company I worked for profited off the dissemination of material that called for the abuse of women, children and minorities was a moment for me. Of course we couldn’t send those books back or anything because of the freeze peaches policies the company has. That, and the not-insignificant share of income reactionary and “christian” material represented.