What’s a game that made a visual or musical impression on you? Or maybe it had a story that has stayed with you for years.
Share your favourites, maybe post a screenshot to the community? Generate some engagement :D
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Red Dead Redemption 2
Riding through the country with big storm clouds rolling in was just something else.
Outer Wilds. I cried for 30 minutes when I beat it. It’s so poignant, sad, and hopeful all at the same time.
Such a wonderful game. I still get chills any time I hear End Times. or when there’s a song with the back-and-forth notes, my brain expects to hear the Main Theme
Nier Automata: the music, the way the world permanently changes as you progress through the story, as well as the art style all are all just chiefs kiss
I’m actually getting Nier vibes from Armored Core VI of all games. Each playthrough is subtly different, revealing a little more of the world, with dialogue and missions appearing that just weren’t there in the first playthrough…
Nier:Automata was a game I dismissed at first because of the main charachter. The last game I’d played that everyone made such a big deal over the atttactive female charachter was Tomb Raider (the first one on PS1) which I found to be a boring game.
But Nier:Automata showed me I was wrong, it’s a stunning game from many different standpoints, and it was all done without playing up 2B as a sex object. She’s a normal “person” with goals who has been put in a situation that she needs to figure out, instead of being a pair of boobs or legs that someone handed a couple of guns to.
I am currently playing it and oh boy, it is truly a nice game, sadly I mixed it with BOTW (playing those two at the same time) and that was a mistake on my part, I thought Nier was more hack n slash than open world RPG… Now I’m struggling to finish both 😅
Regardless both are top notch games.
Bastion.
One of the very few video game soundtracks I listen to. I sang Build The Wall to my first kid as a baby to get her to sleep. The choice at the end of the game literally made me walk away from my PC for a while and just kind of stare at nature lol. Not many games have had the kind of impact my first playthrough of Bastion had.
Bastion never managed to catch me, Transistor did it for me tho. I burst into tears when the credits rolled and Paper Boats revealed itself as a duet between Red and her unnamed lover, after her not saying word for the entire game it hits so damn hard.
Bastion and Transistor didn’t take for me, but I recommend Hades to everyone who will listen.
All the characters are memorable and it’s amazing to find all the interactions. I’m so surprised such a story focused game is so fun to play.
Ah I was just going to ask in the other comment chain about if all Supergiant Games made the same impression as Transistor did for me, but seeing from the discussion here I’m inclined to think that they are all pretty good with something grabbing some people in and other things grabbing other people in the other game.
Transistor is my least favourite of the bunch because I’m far too stupid to understand the combat system, but the theme is excellent. I really enjoyed the voice acting for Royce Bracket too.
Another World really shaped my game preferences.
ICO is still an absolute masterpiece.
“The Long Dark” I never would have thought, simplified graphics could look that realistic. The colours are beautifully on point and the lighting is stunning.
It’s one of those games where “every frame is a painting”. Journey and Gris come to mind. Games so full of style literally any frame could be frozen, framed, and be worth looking at.
The survival mode is neat because you can tailor it to your liking whether you want colder winter and just bears or lots of supplies and gear that lasts longer.
I really found it was fun to turn everything down and just enjoy exploring and the visuals.
The most visually beautiful game I’ve played recently is Satisfactory. It’s a first-person logistics/manufacturing game. The landscapes are almost too beautiful to fill with machinery and black smoke.
In addition to the visuals the sound design is great. Alien creatures hiss or screech or click and the sound makes the hair on your neck stand up. The fuel generators sound just like huge diesels running at full speed against a load. The trucks run by, engines clattering and turbocharger screaming. Each machine you build has it’s own noise. Amd every thing done in the game by your charachter feels like it has weight. Switches click and slam shut loudly. Levers sound like they’re attached to something. By the time you’ve got a decent production line set up, it sounds like a mechanical symphony.
Coffee Stain knows their stuff. Thoroughly enjoyed both Sanctum games, too.
Also: H̷̜͌͊̃͛́̈́͝Ȁ̵̧̧̜̮̲̠̭͆͌̊R̷̳̊͛̊͋̆̄͑V̶̡͉̮̮͍̬̻̈̐̿͐̇̓̏Ĕ̵̛̝̪̹̣̱̰̊̃̄̄̃S̷̪͖̪̭̗͚̓̋T̸̳͈̞̄͝ ̶̜̱̣͍͍̽̆̈́̇̃̉͜I̸͔͍͎̺͒̐ͅͅṬ̸͓̃̈́̇̆̀
COMPLY
Apart from Bastion, unpopular opinion I suppose, but the 2008 Prince of Persia was one of the most beautiful games I’ve played. I recently replayed it and the cel shaded graphics still hold up fairly well. The story, especially the ending, is still great. I think most people didn’t like it because it was a very different game from the preceding Sands of Time trilogy, but I treated it as its own thing, and loved the fuck out of it.
THANK YOU. Bastion has its flaws for sure, but I was just talking the other day about what an absolute masterclass it is in art direction. Painted, vibrant, cartoon art style, in a dystopian future where a world flying in the sky is destroyed with mixed futuristic and past technologies, with music that sits somewhere between blues, electronic, and eastern traditional.
I have a saying, “if someone says a movie is great, and the description sounds like crap, it’s probably genuinely amazing”, I say this because for a movie that sounds on the surface not good (e.g., “a teenager hallucinates a rabbit that tells him to do stuff, then his girlfriend gets murdered on Halloween by the rabbit, but he goes back in time to stop it”) it must mean that it has to have been done so expertly, that it has to land every punch to be good. I feel that way about Bastion too, it sort of shouldn’t work with all it’s influences (especially the soundtrack), but it nails absolutely everything.
Bastion is fantastic and I’ve loved all of Supergiant’s stuff. I’m a bit sad that Hades is the game that has REALLY taken off and apparently all of their other games are relatively niche. Don’t get me wrong, I think Hades is great and it’s certainly the one I’ve played the most because it’s sort of designed to be replayed… but in some ways it’s their most normal game, and I’ve loved the weird experimentation they’ve done. All of their games are at first like “ew, I dunno, fantasy basketball? Not really my jam…” and then it’s TOTALLY my jam and it’s great.
I loved 2008, it was my first thought when I saw this thread.
Visually it’s obviously very dated, but I can still whistle Monkey Island’s theme any time I want after all these years…
Haven’t seen anyone mention either Jet Set Radio Future, or Castlevania: Symphony of the Night yet. Both had amazing soundtracks combined with great gameplay, and solid stories.
I’ll go with a game series, Horizon.
The opening of Forbidden West where Aloy rides past some locations of the first game, leaving the places where the story had taken place so far, had me in tears.
Replaying Zero Dawn and despite the janky animations of the base game before Frozen Wilds, I’m falling in love with the game all over again.
Disco Elysium is the better game probably, but since it is talked about a lot (rightfully so), I’ll go with the similar game I played previous to it:
It is the same genre with Disco Elysium (C-RPG or Isometric RPG, whatever you want to call) with also combat on top of it. Set in a bronze-age kind of time. A lot of choices that matter so as much to block whole maps and events completely if one is chosen over the other. A lot of “main paths” that can be gone on. Both positive and negative (favor and wrath) development with factions, faction leaders, companions, etc. that can affect the game and the outcomes. Great main and side cations with quite good stories behind. Combat can take place a lot of time and the game offers deep combat builds, but overall combat is pretty dull imo.
Going beyond the introduction of the game, in my opinion Tyranny has a very rare story in gaming: The evil has already won, and a tyrant-god rules the world now. You are just a lackey with middle-management status (Fatebinder, some kind of an on-field representer of the prophet/primary judge of the tyrant ruler) that judges whether act happen in accord with the will of the tyrant or not.
Real hard decisions to be made in the game. Some Obsidian humor in it. Overall not a feel-good game, like Disco Elysium. Way better soundtrack in my opinion.
Skye, a small demo made by a team of Dutch students as part of their studies. You fly a small plane around an uncommonly sunny version of the Western Isles of Scotland. They managed to make the whole game look like a living painting. It’s delightful. It’s very short and there’s not a tonne of depth to the gameplay, but the flight mechanics do feel good and there are some fun challenges to take on. Also it’s free!
Opening mission to Medal of Honor D-Day
Osmos, also available for mobile.
